Individual Author Record
Name: Jonathan D. HillPen Name: None Genre: Fiction Audience: Adult; Born:
-- Website -- http://anthro.siuc.edu/hill/index.html
-- Jonathan D. Hill on WorldCat -- http://www.worldcat.org/search?q=jonathan+d.+hill
Illinois ConnectionJonathan D. Hill is a professor in the Department of Anthropology at Southern Illinois University and the author of Keepers of the Sacred Chants: The Poetics of Ritual Power in an Amazonian Society.
Biographical and Professional Information
- Keepers of the Sacred Chants: The Poetics of Ritual Power in an Amazonian Society, University of Arizona Press , 1993
- Made from Bone: Trickster Myths, Music, and History from the Amazon , University of Illinois Press, 2008
Titles At Your Library
Made from Bone: Trickster Myths, Music, and History from the Amazon (Interp Culture New Millennium)
ISBN: 0252033736 University of Illinois Press. 2008
Made-from-Bone provides the first complete set of English translations of narratives about the mythic past and its transformations from the indigenous Arawak-speaking Wakuénai of southernmost Venezuela. The central character throughout these primordial times is a trickster-creator, Made-from-Bone, who survives a prolonged series of life-threatening attacks. Carefully recorded and transcribed by Jonathan D. Hill, these narratives offer scholars of South America and other areas the only ethnographically generated cosmogony of contemporary or ancient native peoples of South America.
Keepers of the Sacred Chants: The Poetics of Ritual Power in an Amazonian Society
ISBN: 0816511357 University of Arizona Press. 1993
The Wakuenai of the upper Rio Negro region in southern Venezuela employ a form of singing called malikai for ceremonies of childbirth, initiation, and healing. This ritual chanting is a rich amalgam of myth and music, and serves as a means of integrating individuals into a vertical hierarchy of power relations between mythic ancestors and human descendants. Jonathan Hill here shows how the musical and semantic transformations of everyday discourse in malikai integrate the everyday world into a poetic process of empowerment.