Individual Author Record
Name: Judy JordanPen Name: None Genre: Poetry Born: Sites:
Illinois ConnectionJordan lives in Anna, Illinois and is an Associate Professor of English at Southern Illinois University at Carbondale.
Biographical and Professional InformationJudy Jordan earned her bachelor's degree and a master of fine arts degree in poetry from the University of Virginia in 1990 and 1995 respectively; she earned a master of fine arts degree in fiction from the University of Utah in 2000.Jordan was the assistant professor of literature and creative writing with a cross appointment in women's studies at the San Marcos campus of California State University. She is currently an Associate Professor of English at Southern Illinois University at Carbondale.She has completed two full-length plays and is currently working on a memoir and a third book of poetry. Professor Jordan is building her own environmentally friendly house out of cob and cordwood, is the founder of SIPRAW, which rescues dogs out of the puppy mills, and practices kundalini yoga.
Carolina Ghost Woods, Louisiana State University Press, 2000Sixty-Cent Coffee And A Quarter To Dance, Louisiana State University Press, 2005
Titles At Your Library
Carolina Ghost Woods: Poems (Walt Whitman Award of the Academy of American Poets)
ISBN: 0807125563 Louisiana State University Press. 2000 Physical and emotional privation, familial violence, racial enmity, and recurrent death are the features of this collection of poetry, set amid the landscape of the South.
60 Cent Coffee And A Quarter To Dance: A Poem
ISBN: 080712995X Louisiana State Univ Pr. 2005 Judy Jordan returns to a time in her life when she was homeless and working as a pizza deliverer at a Greek immigrant-owned restaurant. She absorbs the life experiences and unmet dreams of her coworkers, the parking lot prostitutes, and the other homeless with whom she shares coffee refills and the warmth of the bus station terminal. Their voices, along with Jordan's, come together in a haunting chorus that bears witness to the misery of poverty in the richest country in the world.
Childhood abuse, drug use, violence, disease, and war enter into many of the stories that form this collective tale. Sometimes broken and eerie, sometimes lyrical and beautiful, and other times quirkily humorous, the poems gain an added edginess by the use of fixed forms and the re-imagining of the sonnet in the mouths of the twentieth century's wounded and alienated. Ultimately, Jordan explores the place of beauty, verse, and narrative in helping to move us into a future in which everyone's story is told.